APR 70 Pictures
A man in a trench coat leans on the orange railing of the Staten Island Ferry at dusk, the Lower Manhattan skyline across the water and a duffel bag at his feet.
Alpha YY · the ferry, night AI-generated development frame, disclosed

Feature · New Renaissance Cinema with (212) Pictures · drafted

Alpha YY

In the underworld of Staten Island, two reckless enforcers collect debts through savage work and coded prison-gang demands, until a final betrayal forces them to confront the cost of their chaotic existence.

Two men, one route: Staten Island to Little Italy and back, collections all the way. Brutal work laced with black comedy, loyalties shifting under coded demands from inside the walls, until the last job turns. The script began as longhand pages mailed out of prison, and it keeps that voice. Drafted, in three on-screen chapters.

I believe that the common man is as apt a subject for tragedy in its highest sense as kings were.

Arthur Miller
Tragedy and the Common Man, 1949
The world of the picture
A broad-shouldered man in a black shirt with a gold chain walks arm-in-arm with a laughing woman in a felt hat and leather jacket down a night street lined with parked cars and dim neon.
Mike and Big TroubleAI-generated development frame, disclosed
Two figures walk away across a desolate industrial lot at dusk, a rusted warehouse to one side and tire tracks in the gravel under a heavy grey sky.
The lot, winter duskAI-generated development frame, disclosed

Read the pages.

The feature is drafted. Script and synopsis are shared privately, on request. Say who you are and in what capacity you are asking, and the reply comes from the writer.

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